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Renowned author and academic Tony Birch is known for his insightful and compelling narrative explorations into societal issues like marginalisation, Aboriginal identity and racial struggles. In conversation with Paul Mitchell, Birch discusses his work, the unique intersection of academia and creative writing, and the profound impact of historical dispossession.
It should be troubling for anyone, religious, secular or agnostic, to be told that a human being wields anything approximating to ‘God like’ powers. That very suggestion implies a power unreviewable, unaccountable and at odds with the earthly rule of law.
The Mueller investigation was meant to be the confirmation of every parochial instance of anti-Trumpism. The mechanism was the supposed Russian connection. It provided a perfect distraction on domestic politics, taking attention away from debates on refugees and borders and discussions on poverty and social reform.
The campaign left me bewildered. The things Duterte represents - vigilantism, unilateralism and violence - aren't these the same things that Filipino human rights activists had fought against? Is this now the preferred template for imposing order? I parsed post after post on social media, trying to working out what I was missing. For months I asked myself, what the hell went wrong? It is only lately that I'm beginning to accept that I got the wrong end of the question. What went wrong? Everything.
Ellis' work is a prime example of the notion advanced by the French existentialist philosopher Jean-Paul Sartre: that committed literature, and the act of writing, are political and ethical acts. Even in a film script, one can ponder social political change. Always of the left, but never formally the structured party man of faction and following, the dishevelled, sometimes wild Ellis proved contrarian even to Labor stalwarts. There were never pious reflections, or unqualified praises.
Annabel Crabb chaired it all really well, but the next day I realised that not only our Foreign Minister, but not one panelist, got one question about their extraordinary achievements. Bishop was managing partner of a big law firm. She has unique experiences and must have views on the world's problems and their impact on Australia. But nobody asked.
Annabel Crabb chaired it all really well, but the next day I realised that not only our Foreign Minister, but not one panelist, got one question about their extraordinary achievements. Bishop was managing partner of a big law firm. She has unique experiences and must have views on the world’s problems and their impact on Australia. But nobody asked.
On Sunday morning Australian time, we learned that the destructive civil war raging in East Ukraine seemed to be drawing to a close, essentially on Kiev’s terms. It appears that the tense test of wills between Russia and the West generated by the crisis, which briefly last week risked a wider war, has ended in a tacit backdown by Moscow.
'There have been innumerable post-mortems and words of advice as to how the party with new structures, election rules, and policies can pick itself up, dust off, and win the next election. Sadly some of those post-mortems have come with more coatings of spite and loathing. It is no part of my role in the public square as a Catholic priest to offer such advice.' Frank Brennan's address to the Bathurst Panthers Club, 2 November 2013.
The games are an escapist spectacle, where the flags of Iran, Palestine and Syria flutter without irony alongside those of the US, Israel and Turkey, and delegates from Spain and Greece wave as if their nation's economies have not fractured the Eurozone. The dissonance between the games and reality has become hard to ignore.
Labor speechwriter Graham Freudenberg observed that ‘the oldest, deepest, most poisonous debate in Australia has been about government aid to church schools’. The most dramatic episode in the history of church state relations in Australia was the Goulburn schools strike, which took place 50 years ago this month.
In 2002, jockey Damien Oliver rode to Melbourne Cup glory, one week after his brother, Jason, was killed in a racing incident. The Cup, a paean to the Golden Age of Australian cinema, recreates the tragic and inspirational events in style.
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